By Tomas Espedal, James Anderson
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Additional info for Against Art
Et,·ind. Ei,·ind. she screamed. Do ~ou kitch~·n remember Thea? lly ,\lice a~ked me in the m 'dichad Krohnsgate. Yes, of course, I said: c:wry Chri~tma<. my father and I dro\'e ro Inndalsveicn with a prest·nt for her; l remembered her as a nice old lalk \\ell, there you are, said my grandmother, we renwmbcr things so dift'crent:ly. Can you remember your great-grandfather) she asked. No, I can't; I've seen AGAINST AliT photos of him, a big, powerful man perching me on his arm, in the front garden of the house; an image, that's all.
It was her home. The tlu ''a~ ~old '' ht-n my grandfather died. 1s ruancd, 11 was redecorated and modernized hdore bemg Liken m·er bv a new familv. : I've lived and m the bonks I've written: might 1\ be that J mtss the tlat more than T miss my grandparents? You entered :1 long, narrow hall, it was practically a corridor where a row of closed doors g:we you the AGA I NST A&T impressio n of a public building or an institution, the doors were opened at fJxed times and on fixed occasions, there was the door to the bedroom, the dining room, and, at the far end of the hall, the kitchen.
She goes and sleeps in the maid's room. He remains at his desk. :n she died the two boxes came to me, I took them at any rate, they bdonged tO no one and they lay in the loft like an unanswe red message; I didn't read them, nt·ithc:r the letters nor the diaries. f k